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Of course, I want to mention one more time that these rankings are done purely on my personal experience with all 71 colors (and yes, I do own all 71). I always find watching Tim's Fb demo's that he did last spring very helpful. Spritz with water until the ink beads up. I had a lot of the large size of distress inks by the time the oxides came out. But as I accumulated more and more Distress Oxide Colors, I realized that Shaded Lilac sort of stands in a league of its own. I highly advise picking up this color, and then also consider adding it's more pastel sibling to your collection for use as well. Note: At this time you can wipe the Mixed Media Cardstock back into the ink to build up layers of just one color, but I knew I wanted to do a whole rainbow of colors so I cleaned up my craft mat and moved on. One with distress oxides and second one with regular distress inks. Here, we see two examples of Distress Inks and Oxides, on a dark background, then on a light. For example when you layer Blue and Yellow regular Distress you will get a lot of green, but that doesn't happen with the Oxide Distress. For Distress Inks and other craft supplies, such as Art Philosophy and Prima Marketing watercolors, alcohol inks, stamp pads, markers etc. The question shouted across the mountain tops from card makers and mixed media aficionados everywhere is one of grave importance: what is the difference between Distress Inks and Distress Oxides... and do we need both? On a clean, white piece of watercolor paper or cardstock, Distress Inks and Distress Oxides do not appear all that different, but once you get elbow deep into the nitty-gritty of your creative exploits, you will soon begin to discover otherwise.
Jenn Shurkus has this Distress Ink Techniques for Cardmakers class coming up on Feb 20th. Another of the things you will notice is how differently these inks layer. Mist with water and then stamp the block on a paper, water color paper is best. Distress Oxides do not currently come in this tiny size. Since I was playing with colors anyway I thought it would be fun to compare Tim Holtz Distress Inks to Distress Oxides. I got a lot of questions on how to do this background. However you can create an embossing resist effect by combining embossing powder and distress inks. You get a smoother more opaque finish with the oxide inks and of course you can layer more of the same colour to make it more intense. Tim Holtz, the signature designer who works with Ranger, describes this material as an acid-free, environment-friendly dye that reacts with water to create a feasible, weather-beaten look on paper. Here's an idea for an art journal page made with nothing but Distress inks and stencils.
Please email [email protected] with your mailing address (if applicable), the name of the blog you won from, and the prize you won to claim your prize! I just think that Pumice Stone is a tad light for my liking, and that I haven't found a way for me to fall in love with it yet. Distress Oxides begin to oxidize immediately, giving them a chalky finished look, even though they contain absolutely no chalk. The reason I don't have it ranked higher on my list is that peach isn't a color that I commonly craft with, BUT I know that having this on hand will be perfect for the moments that I'm looking for the right peach-tone! Items taken into consideration in my rankings are: how often I've used them, blends they lend themselves to, necessity amongst other Distress Oxide colors in the same family, colors I am personally drawn to the most, etc. Distress Oxides are more opaque. Distress Inks maintain their transparent constitution, allowing you to "see through them" all the way to the tooth (the texture) of the watercolor paper behind. Half way there, and I think this is a good point to throw in my thoughts about where we are at in this process. You can also wrinkle or tare the paper for a stronger effect and gently go over the ridges with the sponge adding a light touch of color to them. A big advantage of this property is, you only need to apply a little amount of this formula and use a blending tool to spread that onto the rest of the surface.
Absorbing the water with a sheet of kitchen paper. Both types of distress ink pads can be used for stamping. I would say that it's a shade darker than Old Paper, so I've ranked it higher because I am getting more green from it. This wet ink can then be used to create a background or to colour a stamped image. Seedless Preserves fits itself into so many of my ombrés with perfection, and has alway been a great bridge for me in terms of connecting warm and cool colors together. Having said that, we set aside some fine details that are enough to give you an insight into how both of these items differ from each other in some aspects.
I do find that I have decided NOT to get all the regular distress colours. You don't need to purchase anything for the class, she says use what you have and if you like the outcome then purchase after the class. I got out a rainbow of colors and some favorite stamps and went to work. Skies are probably the #1 item that I find myself blending up, and I would be lying if I said that, any time a Blue is involved, it's T umbled Glass. In my link, if you scroll to the bottom you can see the supply list that she will be using.