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Best song: Captain Fantasy. Loving u 'til the end - sun + rain. Indeed, there are dick jokes, but the dick jokes work on a much more subtle and smart way. Ween don't get 2 close lyrics clean. Pure Guava - 1992 Elektra. "I Fell in Love Today" and the closing "Someday" are great examples of the kind of pop balladry the band had mastered by the time White Pepper and Quebec came out; the way silly phrases are so effortlessly woven into the memorable songcraft is a joy to behold.
The other thing is that it doesn't sound like they are outright emulating other. By a reggaejunkiejew. What's "Ask the Dragon"? Like most Ween albums, this album is a long way from any sort of "relevancy" in the way that relevancy is applied to most bands, but for somebody like me, this is an album that just gets more and more attractive the further it drifts into the past. You know why nobody else could do a song like Spinal Meningitis? Gener said nothin' and continued to weep. That wasn't so hard, was it? Where "You Fucked Up" put the group in full flight almost right away, the opening "Strap on That Jammy Pac" is an attempted "rousing" opening that quite literally doesn't go anywhere; the introduction ends up getting played twice, and then the song just gives up. I can float in the air. Boognish is the creative bond that united and subsequently punished for creative and moral transgressions. While the album also has a few other relatively normal songs ("Push Th' Little Daisies" was a minor hit single for reasons I can't fathom, but it's ok enough; "Sarah" is a really nice downbeat pop ballad, and "I Saw Gener Cryin' in His Sleep" is fun country-ish rock only made weird by the off-key chorus), the quintessential Pure Guava tracks are built around bizarre ideas that only Ween could have thought were good enough to consider fleshing out. DON'T GET 2 CLOSE Lyrics - WEEN | eLyrics.net. Repeat chorus twice].
The title track might deserve its label as an Emerson, Lake and Palmer tribute (everybody mentions the similarity in vibe and style to "Lucky Man, " and I can't pretend it isn't accurate), but it's an awesome ELP tribute, celebrating their fun brand of acoustic balladry and lovely (when they wanted) use of analog synths (I have no idea how "authentic" the actual keyboards used are to the era, but they sure sound like they're Moogs). And they came across this little a big, big head. He's on the cover of the Pod. It's taken from a game called Thorns, which was a pocket game from the seventies. And besides, just look at this track listing!! Ween don't get 2 close 2 my fantasy lyrics. The genre hopping on Ween albums always strikes me as Ween deciding to record a song in some genre just because they think it would be a lot of fun, and then proceeding to make something great. Tender situation - create a good illusion. "Pink Eye (On My Leg)" is definitely better than, say, "Candi, " as this manages to have an interesting thread of melody in the various synth doodlings over a relatively static base with some nice guitar color (for some reason the guitars in this song always remind me of Andy Summers from Zenyatta Mondatta, but I can't put my finger on why). I don't like being taken for granted like that, I mean, I'm not one who thinks that simply writing a song about a child dying of meningitis is automatically "edgy". It is scenically located on Van Sant Road in Solebury Township, PA, just south of the covered bridge. Yup, early Ween doesn't get much better than when Gene goes up into the upper register with "And when I'm here, I'm there / and when you're near, I'm here / the only words of your life, Captain Fantasy. "
Regular members also include Claude Coleman Jr. (on drums), Mean Ween, bassist Dave Dreiwitz, keyboard player Glenn McClelland, Andrew Weiss (producer and occasional bassist) and others. I, too, started out my discovery of Ween through this album, and it also left me very puzzled and frustrated. If I had to say, then, whether I liked the album or didn't, I'd definitely end up saying "yes"... but... So read 'em up + stick 'em. Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. I caught papa gene ween cryin' in his sleep. Gener and Deaner had small roles in the film "It's Pat", based on the Saturday Night Live character of the same name.
Firstly, they tackle a series of pretty diverse genres that they grew up with, and make it sound simulateneously legitimate and humourous. I called your name from a distance. So you're "shocked" by their lyrics? They found a language that is. The pod was a strange farmhouse where Gene and Dean resided after being thrown out of Melchiondo's parents house the summer they graduated high school. Good morning my love. Hey, try listening to She Wanted to Leave, and realise how Ween do NOT make it clear whether you should laugh or feel sad! Google him and see his fishing charter Captain web page. This is an eccentric pop/rock album full of catchy melodies and riffs, full of great guitar parts, full of shifts in mood and style. And finally, the closing "Your Party, " while having some smooth jazz aspects, is sleazy and atmospheric as hell (largely thanks to the saxophone work of vaunted session man David Sanborn), and it becomes pretty obvious that this isn't the kind of party where you just chit-chat and play charades. Things that might go click with me. The first half of "Up on the Hill" is always rightly noted as a great parody of gospel music, but have you ever noticed that the metallic guitars in the second half sound an awful lot in style like they're played on a metallic banjo, or that the vocals sound like they're from a parody of an old coal miner?
Besides, Gener is a Jew. There's an incredible nightmarish surreality in these two tracks, matching the dank and gloom of the album cover even better than anything else here, but amidst all of the gloomy sounds are a couple of great ridiculous moments like "On my dick you shall sit" and "A B C D E F G H I J K L M N O P Q R S T A L L I O N, " and I'll admit that they're so stupid that I laugh every time. Ween - Don't Get 2 Close lyrics. I just like these songs so much. "Sweetheart in the Summer" is basically throwback 70s-FM orchestrated guitar-pop (sung by Dean), and while it's not a fantastic (it's a little faceless) number, I still find it a pleasant interlude between "Shamemaker" and "Lullaby. " This track was years in the making, and it was worth the wait. F] It won't be long any -[Cmaj7/G] how. That is, why do people think this is an prog-rock album?
This thing gonna???? When I found her, you split. Smashed with a nightmare. So pleasant when the sails. Plus, I like all of the background guitar noise in the last minute.
The Mollusk is indeed a mindscrew, and it does not need any shock value. They found a language that is unique to them. Maybe something else. Its an odd thing... a strangely overplayed song (and definitely not the best on the album), which now seems to be mocked by the rest of the world. Because it's Ween and it's ridiculous, that's why. Like we was yesterday. W een wrote the great songs that other bands wouldn't (other bands were hindered by factors like "good taste, " "common sense" and "artistic restraint, " none of which Ween cared a pittance about). Bands on this album, other than a few tracks.
So, what does that have to do with prog? Maybe rock music would have gotten by just fine if the band and its products never existed (if you want bands to innovate or at least try to make some significant impact on culture at large, you should probably stay way), but my collection would be sadder and a lot less fun if I didn't know about them. The other great thing about this album is that it wasn't an accidetal hit: it paved the way for their next albums. There is of course truth in this (in the use of humor, not in putting them in the Weird Al bin, as their approach was totally different from his), at least if one, again, disregards all of the songs that don't have any overt humor at all. Well you suck, cause u know I ain't nothin'. What's going on with the fucked jam? "Cold Blows the Wind" is a cover of a very old English folk song, with gloriously moody keyboards giving an extra emotional kick to a track that already had plenty. Push it into systematic overdrive -. The fun bits on this album are utterly swallowed by the laziness and ineptitude of the others. 3-3--------|-0-0-0-0-|-0-0-0-0-|. It will more than likely be the only time this will ever happen. La Cucaracha - 2007 Chocodog.
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