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Current + Upcoming Works. When she got the pieces back to her Austin studio, she "looked again and then realized they needed black squares to anchor the shapes and limit the possibilities. The Bare Facts on Naked Cake. " 2018-2019 Julie Speed: East of the Sun & West of the Moon El Paso Museum of Art Nov 16, 2018- April 7, 2019. He looked stupid just jumping so I put him on a cross, which of course added a whole new basket of questions on top of the first layer. 99 a night) helped her find some respite and perspective. History is obviously rich source material for Julie Speed, but even more important is the present day. Sometimes it takes a couple of days to get the first 3, 5, or 7 pieces right.
My cupboards are full. 2014 Julie Speed – Paper Cut: Selected Works on Paper, published by the Grace Museum, Abilene, Texas "Reality Redefined", essay by Judy Tedford Deaton, Chief Curator, The Grace Museum. For bigger cakes, I'll put a pizza screen or cardboard circle under them to help them retain their shape. Asian Soda Taste Test. For years, Speed showed with Gerald Peters Gallery in New York but now mostly represents herself, hanging shows in the studio and selling on Instagram to her collector base. Julie with the cake nude art. 2002 Alters of My Ancestors, jointly published by the Nave Museum, Lawndale Art Center, The Art Museum of South Texas, essay, Julie Speed's Altered Ancestors by Dana Friis-Hansen and Julie Speed and the Art of Transformation by Edmund P. Pillsbury, Ph. "Thornboxes" (1992), for example, is a compositional hybrid of a Renaissance altar and a Joseph Cornell boxed assemblage. For all the exacting care that Speed puts into the creation of collages, these works do not take nearly as long to complete as a painting. "There were pictures of me doing it so you get a really clear picture of 'this is a person with their hands' because so much stuff now is just done on the computer and then printed out on giant Inkjet printers, " Speed says. Yes, Speed admits to some works in the show specifically related to current events, such as "Wall", "The Xenophobe" and "Monkeytree", where a group of adult men dressed in underwear pummel each other in a scrum pig pile of flailing arms and legs, while collaged engravings of monkeys in trees watch in civilized society. "So many museums now build at the scale where every room is this giant abstract painting, " Speed says. 3-Ingredient Watermelon Mint Sorbet.
A (Third) Eye for Detail by Antoine Sanfuentes. Eggnog Cinnamon Bread. Although the temperament of Speed's art is consistently offbeat and quirky, she is one of those artists who has no singular style. Home - 's Cakes 'N' Bakes. I always make sure my flowers are washed off before placing them on the cake. For whatever reason, the crucified frog at the top of the painting was one of the last elements when, too late, I realized that the top center pink and white spot needed to be higher, but by then the painting was a month and a half old so there was no going back.
Essay by Lyle W. Williams, curator of prints and drawings, the McNay Art Museum, San Antonio. Chrissy Teigen and John Legend's Naked Wedding Cake. Naked Italian Wedding Cake. Jen and Julie Blindfolded Challenge. Finally, Etsy members should be aware that third-party payment processors, such as PayPal, may independently monitor transactions for sanctions compliance and may block transactions as part of their own compliance programs. Wild Mushroom And Garlic Pasta. I think she sums it up perfectly in this video interview with Texas Monthly where she talks about her incorporation of popes as an excuse to use Cadmium red paint. In addition to complying with OFAC and applicable local laws, Etsy members should be aware that other countries may have their own trade restrictions and that certain items may not be allowed for export or import under international laws. The geometric shapes led me to study Russian constructivism and, from there, to make the paintings which collectively became The Murder of Kasimir Malevich. Upon her return, the retelling to young Speed of these not always jolly exploits, and the images they conjured sparked Speed's imagination. Julie with the cake nudes. Jax's Cakes 'N' Bakes. Cultural clashes, East vs. West, are a subtext of Samurai warriors reacting in a scene of the Crucifixion. Speed has a strong moral compass that directs the action and injustice or implied imbalance in her work. Speed admits she would like to have painted freely like Francis Bacon or Edouard Manet, but compulsion requires her to paint close up, possessively reworking surfaces until they become smooth with invisible brush- strokes.
"Every time I get to that chute [in Junction] I feel like everything was so big that I would get really little, so whatever it was that was bothering me would also get little and then it would just blow away, " she says. Etsy has no authority or control over the independent decision-making of these providers. The men are often figures of authority, especially religious clerics and military generals. I've made them several times and I always feel like a cake decorating pro because I always love how they turn out! In recent years, she has spoken of a more elaborate process of artistic creation, one tied to formal and technical concerns but also to happenstance and whimsy. Julie with the cake. The Rights of Sperm completed. Rather, she can use them materially, to cast them into re-imagined scenarios where these disparate artistic elements can continue speaking to us out of their original context. Julie's Perfect Meal. Just as significant is the process of painting, the way color and form animate the canvas, and the varied responses that such a work elicits in viewers.
Queen of My Room: A Survey of Work by Julie Speed 1989 – 1999 Galveston Art Center, Galveston, Texas. 2013 Julie Speed; Cut-Up, published by the Southwest School of Art, essay "Force of Confusion", by Leigh Baldwin. When Speed saw the birds' heads, for some reason she instantly imagined them as attached to heavy black bodies filled with geometric shapes, so she went home and started studying Malevich in depth. Try to pin it down at your peril. Formany years Julie Speed has depicted enigmatic characters, eccentric men and women of uncertain age and time period. "I started drawing as soon as I could hold a pen, " Speed says. She recalls an afternoon spent with the painter John Alexander. And whether it is a crown, a halo, a hat, or simply her hair on fire, the flames behind the woman's head in "Please Help Me, My Brain is Burning" hint at inner anguish and discontent, which is reiterated in the title phrase being inscribed in Latin and moving laterally through the subject's ears. With her paintings, whether of figures bearing the scars of some unknowable trauma or of groups engaged in absurd acts of violence, Speed emphatically suggests that the stakes for the future of humanity have become too high. I would twine them one way and they would be wrong, then the next and the next and the next... wrong, wrong, wrong. Indeed, Speed's imaginary narratives often seem so incredibly well suited to the current issues of the day. Sanctions Policy - Our House Rules. The parlor scene, a painting called Hammerhead, depicts two women sitting on a sofa beneath historic Japanese art prints and an image of the Pietà. Coffee in an Ice Cream Cone. Julie's Drive Thru: McDonald's Poutine Edition.
The size of the pieces that I start with dictates the size of the ground. This is also obvious in the way she works. "After the caveman phase, I wanted to be a pirate" But all along, she adds, her end goal was to be an artist. "If we didn't have a category called 'art, ' you'd still be there moving your chair and arranging shit on your plate, " Speed says. The Arraignment features one of Speed's signatures — reclaimed, collaged paper (often Japanese Woodblock paper) — applied to top corners of the painting and the main subject's clothes.
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