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The primordial funk experience. The fact that the two tunes opening the disc are low-key, meandering (in a good way) and downbeat only add to that sentiment. "Working on a Building of Love" is a sizzling slice of gospelfide funk & roll, with its wailing organ, churchy backing voc's, and spectacular 'old timey' piano. Musically as well as lyrically, this sounds a bit like early Funkadelic, with one major difference: All sense of irony, sarcasm, tongue-in-cheekiness and playfullness is discarded here for desperately political musings that are too heavy to be molded into a George Clinton-esque, party-ish stew of rock, funk and a sense of optimism, even if it's riddled with cynicism. LP-Tracks: "Message From a Black Man", "Slave"*. Muddy area crossword clue. After the tracks were pulled, the park became a dumping ground for bodies, cars, tires etc. Nonetheless, with the incredibly funky, heavy "Superpeople" (actually the B-side to their biggest hit, "It Only Hurts for a Little While"), the Notations demonstrated they had learned well from the master who gave us "Superfly": a ferocious jam featuring some dead on lyrics sung in a Mayfield-like falsetto... with FOUR voices! I'm a pusher of SOUL! Buddy Miles' "Them Changes", a great funk tune sporting some fatback, full-throttled singing and tight drumming, is the sole a-political track on the album. You may occasionally receive promotional content from the San Diego Union-Tribune. Metrolink shut down the railroad tracks as police diverted traffic.
The British and their allies needed an armored "land boat, " a machine that could plow through mud, barbed wire and heavy fire to clear a path for infantry troops. "Dust Your Head Color Red" is political soul at its zaniest; aside some far out lyrics in which virtually every possible color and all its particular shades are wrapped up in one funky metaphor to stress unity there are the lazy horns, plodding bass and gospel styled testifyin' that give it the sound and edge of a modern day sermon. Right On! Classic Political Hard Soul-Funk Albums, Singles & LP-Tracks. Instead, we're in the muddy middle, faced with choices that seem at once crucial and impossible, simple and massively DECISION IS A RISK. It's been forgotten, " says Rosemary Thornton, author of "Penniman: Virginia's Own Ghost City. Finally, the gurgling funk of "Power", an amazing instrumental, spells out 'self-pride' in music. On top off it all, there was the message. LP-Track: "Bad Conditions"*.
Kinda like a lost, forgotten Funkadelic masterpiece. Mile after mile of railroad track went down, linking eight shell-loading lines and a shell "booster" plant with a sprawling network of supply warehouses, shipping warehouses and storage magazines, Thornton says. But when the war ended in late 1918, the mammoth munitions factory closed, then disappeared. Tracks on a muddy road crossword. "It started in early 1916, set off a land rush and quickly became this enormous village.
"If I Had My Way" is pleasurable enough, but nowhere near as in-your-face as the sermons that preceded it. Mayfield hadn't lost his knack for sweet, string-laden melodies though, as proves the bouncy, beautifully arranged and upbeat "We Got to Have Peace". Awesome, especially when Buddy and Billy chime in their 'yeahs' and 'oohs'. Obviously aimed at the nation's overwhelmingly black capital, George then goes into a superbly funky bag, name-checking such greats as Stevie Wonder, Richard Pryor, Aretha Franklin and Muhammad Ali for future executive positions in 'a new Capital', one open to anyone presenting their James Brown-pass! Somewhat similar to the haunting groove of Marvin Gaye's "Inner City Blues", Rawls' raspy voice condemns the 'sweet baby-kissing politicians' who at the same time send those babies' fathers off to the jungles of Vietnam to die. The song fades out with Walter rapping on various issues, sounding world-weary and tired. The mildly funky ballad is an oasis amid Mayfield's more gloomy descriptions of America A. D. 1975. There's a Riot Goin' On (1971). Not cause they were 'capitalist war-mongering babykillers' (sigh), but cause they're the men the women back home love and need. Featuring the original Funkadelic in full form: Billy Nelson, Eddie Hazel, Tawl Ross, Bernie Worrell and Tiki Fulwood. It gets especially creepy when the Temptations' slurred vocals are sung through a mike that sounds as if it is hooked up to an underwater organ. Lake Roland hazard: muddy trails. Baltimore County must act | READER COMMENTARY –. Metrolink service in Antelope Valley slowed or canceled after flash floods damage tracks. The Nature Council was born.
The Father of Rap, and the deepest, most righteous Funk Poet to transform his angry thoughts into brilliant lyrics, and often set them to amazingly funky rhythms. Hearing devices are ever more capable of isolating specific sounds from a muddy cacophony of IENTISTS MADE A BIOHYBRID NOSE USING CELLS FROM MOSQUITOES SHELLY FAN JANUARY 26, 2021 SINGULARITY HUB. George Clinton's Parliament was basically the same outfit as its more rock-inclined alter ego Funkadelic, and more than any other of George's ventures set out to proclaim the P-Funk Philosophy. Towards America's colonial past with "Parasite (For Buffy)" - an ode to the Native American that ends with a primal scream so eerie it is scary. Brown, a proud man, always hammered on the need for self-sufficieny. World War I in Photos: The Western Front, Part I. The countryfried funk workout "You're Still My Brother" sports more fabulous breaks, as well as very appealing lyrics in the 'turn the other cheek'-vein. Still, not knowing exactly who heard what — with none of the sources on the record — muddies the TRUMP CALL US WAR DEAD "LOSERS" AND "SUCKERS"?
The title track - along with the very unorthodox cover art - is a veritable soundtrack to inner city decay, brimming with feedback, buzz, muffled drums, spooky adlibs and that scary, freaky Hazel guitar. An absolute masterpiece and a must for any serious funk fan. Concluding the set is the peerless title-track; "Superfly" is a romping, bass-driven funk jam that gives Mayfield one last chance to speak his mind on the motivations - and ultimate uselessness of - the entire Superfly character. Aside the fact that the music contained herein is a perfect hybrid of soul, funk, rock and pop, it's also noteworthy for its highly political content. The tank's wheels ride along the moving track, just like the wheels in a car run along the road. It's 1971, sentiments are hardening, inner cities are decaying, Nixon is leading the country and drugs are destroying an entire generation. This fierce performance appeared in the film Wattstax as well as on its soundtrack. "Everyone knew this was a dangerous job, " Thornton says, citing an Oct. 4, 1918, explosion in New Jersey that killed more than 100 people, injured hundreds of others and forced the evacuation of 62, 000 while destroying a giant shell-loading plant and 300 nearby buildings. Instead of a hard socking groove or sweaty romp, Jackson's sweet, warm baritone tells of dismal everyday ghetto life on 'clayburn street'... Tracks on a muddy road e.g. crossword clue. Police sirens, car horns and an eerie take on "London Bridge Is Burning Down" open the track, after which Jackson smoothly sails into this breathtakingly beautiful, richly orchestrated 'socio-aware' lamentation. Then vice-president Spiro Agnew did not like this album.
"DuPont was getting pulled in a lot of different directions. The breezy jazz-funk groove of "Why Must Our Eyes Always Be Turned Backwards" sounds sweet and care-free, especially with its swirling string charts, but this time the message is much more outspoken. The Notations, a sophisticated, sharp vocal quartet from Chicago, and recording their greatest stuff for Curtis Mayfield's Curtom label, were most apt at churning out smooth, well-crafted ballads. As "copious amounts" of monsoonal moisture brought heavy rain and thunderstorms across the mountains in Los Angeles and Ventura counties, weather officials warned residents to prepare for dangerous flash floods. Hitting on the problem of drug abuse, "Great Debate" then turns nightmarish, like a coke trip through a 20th century, urban version of Dante's Inferno. No Butterflies / Ad Lib (1968) [Single]. Hathaway, may he rest in peace, was one of those rare prophets who would always leave even the tiniest amount of positivism in the air, no matter how bleak the content of his message. "TNT dust attacks your lungs.
The final verses, where Brown's talking of the White Horse of Heroin riding you to Hell, are some of the most haunting bits of (soul) music you'll ever hear. "Freedom Death Dance" is sheer brilliance, musically as well as lyrically... it's the cover art set to music. "Funky President" - featuring an entirely different 'studio' band - is a slick yet phat funk monster carried by a blazing bass and in-the-pocket drums. But the darkness returns on the truly titanic sound collage of "Last Apocalypse"; starting out innocently enough with a beautiful flute solo, the tension becomes feasible when those swooshing "Cold Sweat"-style drums take over, and the band starts ad-libbing and scatting, culminating in the chanting of "time... is running, running... " A charged, brooding soul jazz groove takes this sound experience further, with that gurgling bass adding a fat, swamp funk vibe to proceedings. But again, Sly's mumbled lyrics make plain that this, too, is a pretty joyless tale... "Frightened faces to the wall"... Roget's 21st Century Thesaurus, Third Edition Copyright © 2013 by the Philip Lief Group. The stage is set with the sardonic "Luv & Haight", a messy mixture of rumbling basslines, fatback drums, hints of brass and a world weary Sly Stone proclaiming he feels so good, he doesn't need to move. Devastating... can be found on the compilation The Soulville Collection. Finally, Rawls takes on Stevie Wonder's ethereal "Evil", providing the perfect coda to this socially conscientious waxing. Submit a letter to the editor or write to. — Thornton on deaths in Penniman. The stomping "Choice of Colors" asks some very tough questions and was the group's most overtly political tune pertaining to the issue of racism.
Suffice to say that Madhouse's campaign failed miserably, with Nixon winning in a land-slide over Democratic nominee George McGovern. Scenes of frightened young men standing in knee-deep mud, awaiting the call to go "over the top", facing machine guns, barbed wire, mortars, bayonets, hand-to-hand battles, and more. The segment is part of the LOSSAN corridor between San Diego, Los Angeles and San Luis Obispo, which is the second-busiest passenger train route in the United States, surpassed only by the Northeast Corridor between Washington D. C. and Boston, Mass. The remainder of the LP consists of hardcore, instrumental funk. Ball of Confusion (That's What the World Is Today) / It's Summer (1970) [Single]. Several days of heavy rain and a new discovery at the San Clemente railroad stabilization project appear to have further extended the suspension of passenger rail service between San Diego and Orange counties. Sporting a apocalyptic cover, the music contained within consists of mellow-sounding ballads that nonetheless pack a powerful punch.
"Are You Sure" probably is the most confronting piece here, with the Staples' hinting at the Bigger Questions in life over a lazy, country-soul beat, although Pops' own "Who Do You Think You Are (Jesus Christ the Superstar)" - a smouldering, swampy groove that has the group gettin' down in church. A clever, deceptively low-fi anthem of Black pride. This Is My Country (1968). The dead-on story-telling on everyday ghetto life, riding a thundering, funky groove, is every bit as heavy as Marvin Gaye's "Innercity Blues (Make Me Wanna Holler)".