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I hope I don't say something. Paul tells Zach that when his family took him to the movies and he had to move to the front rows because of his bad eyesight, he was molested by "strange men", and so came to terms with his homosexuality at an early age. Adaptation Expansion: "Nothing" was originally a part of "Hello Twelve, Hello Thirteen". Just shut up and sing. Opening: I Hope I Get It is a song by A Chorus Line Ensemble (2006), released on 2006-10-09. Uncanny Valley: Invoked in the film when Zach grabs Cassie to show her what she's auditioning for, as the other dancers are now mechanical, grinning automatons. Stylistic Suck: - The dancers who are cut in the opening scene are nearly always played by understudies for the seventeen main cast members, so they need to be able to dance at their level, but they also have to make it believable that they wouldn't make the later rounds.
Cast of A Chorus Line - I Hope I Get It (From A Chorus Line) Lyrics. Turn, turn, out, in, jump, step. God, I hope I get it! Practice Kiss: In the montage, Judy reveals that she and her best girl friend, Leslie, tried a few practice kisses on each other so that they'd be ready when they had to kiss boys for the first time. Wholesome Crossdresser: Paul was forced into doing drag to get any sort of work after dropping out of high school. Val advises her fellow dancers to definitely improve themselves with plastic surgery ("Keep the best of you, do the rest of you") in the song "Dance: Ten, Looks: Three". I want your pictures and resumes, please. He doesn`t like the way I... The first rendition of "One" has the dancers having to pretend to not know the lyrics and moves well enough to do it in sync — and then they remind themselves of their moves. Winning nine of its twelve Tony Award nominations, as well as the Pulitzer Prize for Drama, the original production was a Long Runner for fifteen years (197590) on Broadway, while it ran for three years (197679) in London's West End. To Kristine) Girl in brown, much better but still too much tension face, neck, and shoulders. The first group of girls steps out to do the jazz combination.
Believing his parents would be ashamed of him, he avoided telling them until they unexpectedly showed up at a performance to drop off his luggage for a tour - and was left even more conflicted when he still heard his father tell the producer, "Take care of my son. Group: (Note: Cassie does not sing in the opening number). Height Angst: Connie suffers from this:Connie: Four foot ten, four foot ten. Massive Multiplayer Ensemble Number: - "I Hope I Get It" sees the main cast members going in and out of the vocal spotlight as they get their turn dancing the combination and/or angst over how much they need the job.
To get it up or get it out. From "Hello Twelve, Hello Thirteen, Hello Love":"Tits! Among the many themes running through "Hello Twelve, Hello Thirteen, Hello Love" is the dancers' collective realisation that, as difficult as things were for many of them as adolescents (broken homes, abusive peers, cruel teachers, the physical and psychological changes of puberty), their lives would remain difficult once they reached adulthood. "What I Did for Love" is changed into a solo by Cassie in the film as well. Tempo of the track in beats per minute. Non-Answer: The director asks the cast what they would do if, one day, they could no longer dance. Lyrics Licensed & Provided by LyricFind. The musical theatre variety. When I call out your number Please form a line. Maggie: What's coming next? That is a picture of a person I don't know. Zach:Next group, and... (The third group of girls begins the combination. Last Update: June, 10th 2013.
Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics. I remember when everybody was my size. In 1975, composer Marvin Hamlisch, lyricist Edward Kleban, and writers James Kirkwood, Jr. and Nicholas Dante decided to collaborate on a musical about the lives of those folks on the Broadway chorus line, later joined by choreographer Michael Bennett. Cassie is Zach's ex-girlfriend. Upload your own music files. A five, six, seven, eight... (To Val, who is dancing behind Sheila) Dance out... Dance out! Values over 80% suggest that the track was most definitely performed in front of a live audience. Last Note Nightmare: There's already a creepy undercurrent to the rehearsal version of "One", but the final four exclamations of "ONE! " Turn, turn, right, left, jazz step 5, 6, 7, 8! The director, Zach is putting them through the wringer. Original Published Key: A Minor. This is measured by detecting the presence of an audience in the track. To Val) You downstage. Writer(s): Hamlisch Marvin, Kleban Edward Lawrence.
Raging Stiffie: Greg, Mike, and Bobby's contributions to "Hello Twelve, Hello Thirteen, Hello Love" include their embarrassment at getting these at the worst possible times throughout high school, including seemingly every time Greg so much as looked at a school bus. Pivot, step, walk, walk, walk. Written by: MARVIN HAMLISCH, EDWARD KLEBAN. He doesn't like the way I... [Instrumental]. It's step, step, up cross, turn from there... For example, at one point Al recalls the tokens of affection he collected from an assortment of romantic and/or sexual conquests in high school, then he moves across to remembering being in a car accident in which his friend Eddie was killed.