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Students are introduced to a number of critical theories and methodologies with which to analyze the works, such as poststructural, Marxist, Pan-African, postcolonial, and feminist. Students learn to see writing as an act, not as a product. A critical study of American literary history from the early national period throughthe Gilded Age. Romance was the most popular literary genre of the later Middle Ages. The course compliments the 'Spring into Shakespeare' short course, which ran in Spring 2022. Shakespeare lessons for high school. ENG 242 Screenwriting. Introduction to the interchange between the medical and literary imaginations – how diseases, bodies, and minds get written about and represented culturally.
The Department of English and Creative Writing is one of the largest and most dynamic in the University. ENG 206 Trans/Atlantic Chaucer: Colonizing Identities in the Middle Ages. Course content overview: Shakespeare is widely regarded as one of the greatest writers of all time. He wrote the bulk of his plays between 1589 and 1613 and died in 1623. Students examine the interdisciplinarity of Pacific literary studies as it interrogates and resists traditions of inquiry in anthropology, geography, history, politics, economics, and ecology. Fairbank Center for Chinese Studies. Spring into Shakespeare - Short Course - Shakespeare Institute. Session 3: Shaping the plot and creating characters. Students will read works by medieval authors in Modern English translation, with particular attention to placing works in their historical and material contexts. Explores the ongoing reinterpretation and appropriation of Shakespeare plays in twentieth- and twenty-first century film.
How does their choice of genre serve as social commentary, (a)moral exposé, or visual escapism? Although some of these texts are older than the suggested "5 years or newer" standard, they remain seminal texts in this area of study. Students read a mix of canonical and less well-known authors. Introduction to the study of the dominant genres or types U. cinema. She is currently External Examiner for Royal Holloway University of London, examining a range of medieval, early modern and modern modules. Courses | Learn | 's Globe. I loved this course because not only did I learn so much about Shakespeare, but also because I enjoyed learning, reading, investigating and getting to know so much people around the world with the same interest, with so much knowledge and passion about the Bard. Same as AFRO 260 and CWL 260. This course examines how Shakespeare's works channel early modern racial and supremacist ideologies. Credit is not given for more than 8 hours, but course may be repeated for no credit. May be repeated with permission of English advising office to a maximum of 6 undergraduate hours if topics vary. Looking for a new approach to classic literature? Covers literature written during the tumultuous modern period in British history from the Industrial Revolution, through Victorian imperial expansion, to the twentieth-century social convulsions of global war and de-colonization.
Harvard Faculty of Arts & Sciences. Students consider these works as interventions in the discourses of freedom-religious, political, legal, and psychological-and as examples of a genre foundational to many literary works by descendants of Africans in diaspora. But many of these tales seem to question and sometimes undermine the very ideals they otherwise espouse: courtly love mingles with sexual adventurism, for instance, and loyalty to one's lord often results in alienation or death. "This was my first online course, and it worked perfectly. Shakespeare is widely considered one of the greatest English playwrights and poets of all time. Early African Americans wrote for a variety of reasons—philosophical, political, pleasurable, instrumental—and protesting slavery and racism was just one (albeit an important one) among many of those reasons. Participants will learn different theories of text preparation from multiple sources (including actors, academics, editors, and directors) and have multiple chances to put their own emergent theories into practice through course assignments. Please note our short courses sell out quickly, so early booking is advisable. The comprehensive curriculum embraces aspects of RADA's core teaching, combining rehearsal of text with classes in essential skills. Postcolonial writers, critics and filmmakers studied may include Franz Fanon, Edward Said, Aime Cesaire, Ousmane Sembene, Chinua Achebe, Michelle Cliff, Mahesweta Devi, Buchi Emecheta, Derek Walcott and Marlene Nourbese-Philip. ENG 109 Foundations of English Literature. For attending the extra class sessions, doing the reading, completing in-camp assignment, and turning in a final project post-camp, campers in the course can earn up to 3 college credit hours at a discount from Mary Baldwin University, which are transferable to other institutions. A study of the short story and novella as characteristic twentieth-century genres, with a brief introduction to works in the nineteenth century. Course outcomes for shakespeare. This seminar encourages students already familiar with Chaucer's Canterbury Tales to further explore his other major poetic works in the context of his late fourteenth-century London milieu.
Working with materials from a variety of world regions and cultural traditions, students consider the emerging genre of "climate fiction" in relation to a larger and longer history of environmental fiction. This course explores folklore, myths, and literary texts of the African continent. What does it mean to recognize the body as affectable? This course applies the methods of gender and sexuality studies to early modern literature. Theoretical Computer Science. Gain an understanding and appreciation of Shakespearean language and literary forms, as well as a critical awareness of the continuing reinterpretation of Shakespeare's plots and characters. Examines how the novel has been important culturally over time. This course is offered through Coursera and was developed with the Department of English and Comparative Literature at Goldsmiths, which provides academic direction for the BA English. ENG 268 Survey of Literatures of Africa. Shakespeare workshops for schools. Students consider the narrative in a visual format, discussing how works created by Asian Americans combat decades of stereotypes propagated in comic books, especially as evil-genius Fu Manchu figures.
Is cli-fi a kind of science fiction? Taking the most common species of nonhuman companions as its focus, this seminar moves through five centuries of English literature, meeting cats and dogs along the way: Sir Gawain's precious hounds in Malory's Morte d'Arthur, the old feline who captures Keats' imagination (if not his heart), the dog called Crab who graces Shakespeare's stage, the mysterious Cheshire Cat planted in Wonderland by Lewis Carroll, and many others. Exploring concepts of cultural, historical, and linguistic change, students will learn to read Old English texts in the original. How do plans and policies for good life morph into bad places?
This course explores poetry profoundly influenced by poets' lived experiences as witnesses. Several questions guide the course: What topics are appropriate for nonfiction and how did they get to be socially understood as such? Reflect on Shakespeare as a global cultural icon. Students read graphic novels, graphic memoir, and selected issues of several comics series. Figurative and symbolic language in relation to central theme(s) of the work. Intensive study of selected texts, genres, themes, or theoretical issues in medieval British literature (usually focusing on either Old English or Middle English texts), or of scholarly methods in medieval studies (such as editing, paleography, or bibliography and methods of historical research). If you do not intend to continue onto a Masters programme, you will still acquire significant knowledge of Shakespeare, which can be applied in a variety of educational, outreach, and cultural settings.
We offer a range of undergraduate and postgraduate programmes, with a strong research focus on critical and creative practice. Ethnic and racial theories. Writers may include Phillis Wheatley, David Walker, Maria Stewart, Frederick Douglass, Harriet Jacobs, Frances E. W. Harper, William Wells Brown, W. E. Du Bois, Pauline Hopkins, Charles Chesnutt, Paul Lawrence Dunbar, Alice Dunbar Nelson, and Ida B. Design & Creativity. The fee does not include any meals or accommodation. ENG 306 Queer Africana: History, Theories, and Representations. With the course instructor, directors will discuss how the section under examination made its way from base to performance text. This course explores various essays from the mid-twentieth century to the present. Prerequisite: Consent of instructor.
While Queen Victoria was on the throne (1837-1901), Britain became a world power, but often looked backwards to the lovely worlds of the past. Course materials will be drawn from literary works, contemporary and historical scientific developments, and cultural theory to explore how and why speculative futures are linked to specific cultural contexts, technologies, and social schemes. Nonprofit Management. Seminars provide an opportunity for concentrated work in a restricted subject area. 2020 college credit course. How did medieval and early modern people reckon with the mystery of dreams?
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