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A video relay system, used in the theatre to give a view of the stage to remote technical operators (especially stage managers). Cable or rod used to send and receive radio signals (connected to transmitter and receiver or tuner). Known in the US as the BOOTH. Early Windows sound interfaces were the Creative Sound Blaster (from 1981 - present) or cards made by Turtle Beach.
Short for Software Key. Part of the MIDI protocol which allows control of one device by another. Used for audio system testing and also to signify overload or the static present on an untuned TV. Concert stage blaster for short film. Recent Usage of Band's sound-boosting box in Crossword Puzzles. Member of the sound team on large scale events who ensures that all users of radio frequency devices (radio mics, comms, in-ear monitors, IFB etc. ) One of the SI base units. Two pin connectors such as RCA/phono connectors are used, which are not suitable for heavy duty professional use.
Often just SUB) - Speaker dedicated to reproducing very low frequencies. A SIGHT PICKUP is made visually by the operator to a preset position. Musical Instrument Digital Interface. Yourself, contact Boot to Head for dates at. Also known as Duct Tape. DI = Direct Injection.
Wiring, temporarily rigged, to carry electrical current. An unbalanced audio connector used for connecting line-level equipment together (eg CD player, tape recorder). Capacitor Mic) A microphone that uses the varying capacitance between two plates with a voltage applied across them to convert sound to electrical pulses. Sound-boosting item that can be hooked up to a guitar. A piece of music played on a radio on the set). Concert stage blaster for short wedding dresses. Also known as a Hum Head.
Popular domestic 1/8' tape format. Otto was as energetic during the encore as he was during the set and nearly took out a main and Oxford Don after flying through the air in one of his crazy fits. The audio level of a standard record deck is much lower than (for example) a CD player, plus there is an equalisation circuit (or there should be), which is specified by the RIAA, to overcome the colouring that a record deck adds to a recording. The pressure at which electric current is available. The same as a get-out, often used for live music events, this consists of removing all equipment and structures used for an event. Concert stage blaster, for short DTC Crossword Clue [ Answer. 2) Also an ADAPTOR can be the same as a JUMPER. 12 track recording onto Video 8 tape. 3) Human Biology: (from WIkipedia) a dome-shaped muscular partition separating the thorax from the abdomen in mammals. Also preventing microphone etc cables from getting entangled by pulling / releasing them from offstage as performer walks around. © 2023 Crossword Clue Solver. One by one, the mics are tested, ideally with no other noise or activity taking place on stage. Also applies to sound effects / music. A Tip Jack is a combinaton of a jack and castors so scenery can be supported or rolled.
There are usually 30 frames per second, meaning an accuracy of 1/30th of a second is possible. The empty reel on the right hand side of a reel to reel tape deck onto which the tape is wound as it plays through the machine. 1) A warning given to technical staff by stage management that a cue is imminent. 2) A headphone and microphone combination used in such communications systems with a beltpack. Sometimes if multiple people are away, swings perform multiple tracks simultaneously - they are then said to be covering Split Tracks. All Rights ossword Clue Solver is operated and owned by Ash Young at Evoluted Web Design. Concert stage blaster for short Crossword Clue Daily Themed Crossword - News. Combination of a COMPRESSOR and an EXPANDER. They are powered by CO2 and require an operator to feed the confetti into a hopper.
1) On a sound desk, the talkback section enables the sound engineer to talk via a microphone to selected outputs of the desk. Abbreviated to 'comms'. For example, there are tie lines between front of house mixing position and the stage to reduce the need for additional cables through the auditorium. Set of outputs on a mixing desk which allows the user to preset a number of output configurations. Also vital for fault-finding, where the route of a signal can be PFL'ed around the desk until the point where the fault occurs. This type of reverb can be simulated by some digital effects units. Part of the communication ('cans') system in a theatre, the Beltpack contains the controls and circuitry to drive the HEADSET worn by crew members. Originally, there were problems with reflections and due to the use of two different capsules, although single-point MS mics have been developed which overcome the problem quite effectively.
It's important that the DSM does not shout out the next line, while the lead actor is pausing dramatically. Also enables actors on stage to hear musicians or effects when they cannot hear the output of the auditorium sound system. The keys are often numbered rather than being labelled (e. on the ETC Express and Ion range of lighting desks, the soft keys are numbered S1 to S8). Different varieties are found from Dolby B on most personal cassette players, to Dolby SR and Digital, the current state of the art for cinema. Lockable (and sometimes releasable) plastic strap used to tie a bundle of cables together, amongst many other things. Digital link between (usually) CD players and recording equipment. Blaster's amps and drums were drowning out the mains. DCC was discontinued in 1996.