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Any help would be much appreciated! To Speak, To Listen is a very personal and practical step forward for the concept, while revisiting themes from both our previous records. There is an overwhelming amount of artistic talent in SLC and Provo, and some bands do well operating at a local level in that niche. Lyrically, our songs are deeply and conceptually rooted in a lot of existential themes. Hey all, Does anyone know of any sources that lend insight into Eidola's lyrics? Sonically that record is very chaotic and bombastic, ambitious and ravenous in a lot of ways. Not by the label they're grouped into at that point in their careers. He also sports a cross necklace in the new video, possibly lending credence to the idea that their lyrics are deliberate in their religiosity. Is eidola a christian band or singer. I've done two track by track interviews about our two most recent albums, as well as a two hour podcast for To Speak, To Listen. My sense is that there is a growing scene for progressive leaning music there – am I right?
I personally love working with Will. Is eidola a christian band or band. Was Dryw brought on to realize a specific, intentional sonic vision, or did the sound engineering side develop over time? It's a way for people to pigeonhole a group of bands because that's the easiest way for them to define things. I think that with the right venues, promoters, talent, and collaborative vision, Utah could turn itself into a massive hub of artistic success.
Let's talk about your writing process. You should choose whether or not to support a band based on how they subjectively affect you and how you view their art objectively. We continued to push our technical abilities to the limit in order to write a challenging, dynamic, and concise piece of art that explores all the motifs of our past while still pushing our sound forward. Is eidola a christian band site choisi. What do you think of the "swancore" label? Thanks, we definitely took some liberties in the tech department for the new album.
I would say that the local scene for progressive music is growing in Utah, but it still needs a lot of work. Our newest album To Speak, To Listen took a look at everything we'd done previously and poked at everything we could do to improve, consolidate, refine, and manifest more directly. You are from Provo, Utah. We caught up with songwriter/guitarist Andrew Wells to talk about the history of the band, the philosophies that drive them, and their new album.
I think some common bands we all enjoy are bands like Circa Survive, Thrice, Coheed and Cambria, Snarky Puppy, and Intervals. On this latest album, I have to give props to your sound engineer/producer, Dryw Owens. I'm a glutton for punishment apparently, haha. Outside of that we all have different tastes in a lot of ways. I've spent some time with your catalog, and I am impressed at both the subtle and the obvious differences between each album. I don't think either extreme is healthy for building a thriving artistic community. Would you rather be able to eat anywhere for free, or be able to travel anywhere for free? When you do that, you'll have positives and negatives from all sides, people that say "oh that's a swancore band?
Would you say that you are a band that has a message to share? I need to support them immediately! " Buy Eidola's latest album, To Speak, To Listen, here. They all go very in depth about the trilogy and the future of the concept, so I'd recommend checking those out if you have the time.
Dryw will be happy to hear that. Eat anywhere for free! How would you characterize each album sonically? Do you have primary writers, or is it a more democratic writing process? We work well together, and he's been very good to Eidola. Would you rather always have shirts that are too big, or always have shirts that are too small? I noticed you were on Blue Swan Records, which was started by Dance Gavin Dance guitarist Will Swan. Personally I think the "swancore" label is just that, another label. The latest album, To Speak, To Listen, is the third in what you have described as a series of concept albums.
How did you come up with your band name? I've known him for a while now; I've written, recorded, and toured with him. Finally, maybe the most important series of questions in this whole interview: -Would you rather live in a virtual reality where all your wishes are granted, or the real world? What has it been like working with Will?
Here at Proglodytes, we delight in bombast, so we would love for you guys to explain a little bit about the different concepts of your previous albums, as well as how the latest album fits into that narrative. Then we take it to the rest of the band and collaborate on all the other parts. I also noticed he produced your previous record. Did you initially start with an overarching conceptual idea for the three, or did it sort of develop this way? Matt] Hansen constructs the drum parts around the structure and does the initial editing. I find this to be super fascinating. That's just a bunch of DGD rip off bullshit". We came up with our name after working through so many different titles. The production was pretty raw and the ideas were there, but we hadn't quite figured ourselves out yet. Four of us went to high school together and eventually became friends. Our vision was clear, our abilities had improved, and our songwriting was still experimental but a bit more honed in.
It's one of the biggest perks of touring for me, and if it were free I'd never stop trying new restaurants. We had initial themes and concepts we wanted to explore, but the grand scheme has developed over time and experience. We are from Provo, and Advent Horizon are homies of ours. I love food so much. I try to work out every day and treat my body right, so shirts that are too small for sure. Did you have any common musical loves that drew you together? What would you say are your biggest philosophical influences for the album? The scene could be huge. Your music is really involved and impressive technically!
First of all, how did you meet as a band? I'm going to send him this interview as soon as it's up, haha. We originally wanted the band to be called Jagannatha and had a song called Eidola at the time. I come to the band with the song structure and guitar written out, usually with lyrics and melodies written as well.
We absolutely loved working with him in every capacity. The Great Glass Elephant was very exploratory. There are numerous highly technical, polyphonous passages, and the audio production both highlights the technicality and allows the sounds to coalesce into a stream of sound.