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But it's not a favourite of mine, even if instrumentation-wise it's a new sound for him. Por el otro lado, el álbum abre con El Mundo es Mío señalando su posición luego del desbordante y revolucionario éxito de YHLQMDLG hablando del Reggaetón en sí, Booker T haciendo mención a su ausencia en una entrega de premios y Hoy Cobre que refleja el gran poder adquisitivo. He's just a big nerd after all -- who else would reference Itachi from Naruto in a hit single ("Yonaguni", non-album)? In short I don't see myself. El primero y el más notable es la duración. Santa Claus is Coming to Town so get ready with this holiday hits playlist from Boney M, Elton John, Wizzard, Elvis, Mud and Johnny Mathis. Well, if you're looking to get into Bad Bunny's music, and overall embrace the sounds he's dealt with throughout his entire career, don't play this album. The lyrics I found to be pretty good with some emotion to them at times. Recorded during the COVID pandemic, El último tour del mundo is somewhat more melancholic than YHLQMDLG, largely embracing an emo trap sound rather than the reggaeton that defined that record. Tiene los recursos, y parece también tener las ganas. Or, if you're willing to go a bit further, listen to X100PRE.
Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term. With you I do not return or pa 'Dio'. Sin embargo, ninguno de estos elementos -los que más destaco del álbum- suplen o arreglan la constante carencia de Bad Bunny. "El mundo es mío" indeed. Best Songs: MALDITA POBREZA, LA NOCHE DE ANOCHE (with Rosalia), BOOKER T, YO VISTO ASI, TE DESEO LO MEJOR, DAKIKI (with Jhay Cortez), LA DROGA, and ANTES QUE SE ACABE. And damn, both Jhay Cortez and Bad Bunny are on fucking point. I'd recommend it to anyone that speaks Spanish or non Spanish speaking people that are curious into getting into latin music and understanding the culture behind it. Con su segundo álbum triunfante desde mi punto de vista, Bad Bunny ha demostrado y revolucionado el género urbano de Centroamérica de la noche a la mañana. Then, well... You get a bit of Bad Bunny's X100PRE side on songs like Te deseo lo mejor and Haciendo que me amas, which sadly (and especially after what we saw of him in 2020) come across as painfully generic to me, quite drab and a bit of a step backwards. You get Bad Bunny's ego on full display on songs like Hoy cobré and Booker T, which see him at the angriest he's sounded in years. I mean, if he wanted to go for a ballad, he certainly achieved it. The other dancefloor-made tracks are Te mudaste, which is a bit generic by his standards although certainly enjoyable, and the Rosalia-aided La noche de anoche, a single I've grown to enjoy more than I did on release night.
We've had so much great Bad Bunny in 2020 that a little bit more can't hurt us. The remaining cuts see him going in a few different directions, with some really enjoyable results, and others that are admirable but not all that replayable to me. I'd rated the record with this same score a few months back, but I wanted to give it a bit of time to see if it would grow on me. To rate, slide your finger across the stars from left to right.
Solo De Mi Download. 7 Yo visto así 3:11. Overall, for this being my first latin/reggaetón album it was an enjoyable experience. It's time to admit it: Bad Bunny is an era-defining star. Let's start with the good side first. Este trabajo ha ganado tres premios Grammys, siendo el último en la edición norteamericana entregado este año a "Mejor Álbum de Música Urbana" y debutó en el Nº1 de la lista Billboard 200 Global, siendo el primero en lengua española en lograrlo en la historia.
"Baby" what the hell '? Bad Bunny had already proved himself quite versatile on his debut, offering some experimental moments such as La Romana, ventures into synthwave with Otra Noche en Miami, and going for a notably nocturnal aesthetic on practically every song, with many hits in the way. Today and 'night' and mischief, today and 'leg' down (Yeh! Sorry, you had to lose (Hehe); Hey. And he managed to crank out hit after hit after hit with album deep cuts! I decided to listen to it since I have to keep up/listen to the albums from 2020 that got album bombs on the Billboard Hot 100. Yo hago lo que me da la gana ("I do whatever the fuck I want"), which came in February, was a love letter to Puerto Rico and the reggaetón genre that it produced, paying homage to the genre's greats and the underground rave scene where it originated in the 90s.
El último tour del mundo. I guess... psychedelia? Bunny has never been afraid to be outspoken, which gives him some real anti-establishment cachet, and he and his producers continue to surprise with new sounds to push the genre -- and pop as a whole -- forward. Yeh, nobody called you, rip off the fuck. Don't say "Baby" again (Hey! This is the first Bad Bunny album I've listened to and the very second latin album I've heard.
Del lado más introspectivo y frágil del álbum podemos encontrar a Te Mudaste, La Noche de Anoche con Rosalía, Te deseo lo Mejor, Haciendo que me Amas y las sorprendente Trellas con influencias del Dream Pop y dicho mal y pronto quizás del Shoegaze y Dakiti, su tercera colaboración con Jhay Cortez, siendo esta ultima pista quizás la más popular del trabajo. Esta vez me enfocaré en su tercer álbum de estudio, El Ultimo Tour del Mundo. Listen to YHLQMDLG and bathe in the wonderful charm of its material. Nio Garcia, J Balvin, Bad Bunny|. You also get songs like 120, which is quite boastful in its own right, but is nowhere nearly as furious with its attitude. Like Drake, Bad Bunny indulges in materialistic excess while lamenting the emptiness of that lifestyle -- the "rich but sad" ethos that arguably characterized 10s pop. Es medianamente entendible, es un reggaetonero… pero personalmente no lo justifica, sobre todo cuando se habla de él como un artista y uno de los mejores músicos de esta década y este siglo. I am not yours or anyone else, I am only from me. By connecting via Spotify or Apple you agree to receive news from Legacy Recordings and Sony Music. He'd given himself the freedom to collaborate with J Balvin for a duo album that gave both artists one of their biggest hits ever (La Canción).
The mother of the jangueo fuck me, huh. El dinero y los lujos que se puede permitir, como logros junto a todos los reconocimientos que obtuvo. Please use the Spotify app instead.
The album gets to a slow start with the first three tracks but then it really picks up at MALDITA POBREZA and continues with the rest of the album. Executive producer, producer2, 4, 6-10, 12, 15, writer2, 4, 6-10, 12, 15. Rating distribution. Like, look at the numbers on the YHLQMDLG songs. However, and similar to X100PRE, the tracklist's focus seems to be latin trap. A more successful example is "Maldita pobreza" ("Goddamn poverty"), possibly the finest song he has released to date.
Not really, but the underwater-sounding synth that lingers around and the quieter feel that the instrumental gives off certainly give the song a bit of a dizzying aura. 3 albums in a year is a phenomenal feat, but not merely based on quantity (Buckethead would be GOAT otherwise), and rather based on the quality of his output. It's a traditional christmas tune sung by Trío Vegabajeño, and it's not actually terrible. "Maldita pobreza" melds emo trap with a soaring ska-pop chorus, but it truly shines in the lyrics, which are a shockingly honest expression of working-class rage. And the hook I adore. You could argue that it fits somewhere close to X100PRE, given how it veers more into trap music than reggaetón, and how it's noticeably darker than either of his previous 2020 offerings, but even then, it feels much more disjointed and aleatory. Though I still stand by the idea that it was a weird choice for a 'song-with-music-video'.
The song is a truly potent piece of agit-pop as well as demonstrating Bunny's increasing versatility and skill as a songwriter. They are a recipe book that a baker brought me; yeh, yeh (Rrrah! Driving Home for Christmas or Walking In The Air, make this Christmas better than last with Wham!, Bruce Springsteen, U2, Queen and Boney M and a whole host of others! Do you want to 'hesitate? But it hops all over the place. That's why I neither love you nor hate you.
Engineer, producer11. Pero como este man se esmera tanto en mostrarse como algo distinto y salirse de ese espacio en el que su éxito lo ha encasillado, se positivamente que es capaz de cosas mil veces más profundas y significativas. Have yourself a merry little Christmas with this holiday hits playlist inc. Britney, Chris Brown, Katy Perry, Destiny's Child and R. Kelly. El disco está plagado de pequeños y sutiles arreglos que por supuesto, no monopolizan ni hacen a las canciones, pero construyen un sonido y un ambiente un poco más definido y mucho más agradable.
Pues aunque el muchacho sigue cometiendo varios de los mismos errores, hay algunos que ha sabido solucionarlos bien. I fall for the mother who bore you (Prr).