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"Our Lady of Controversy", Los Angeles Times (May 27) 2001. This is followed with a contribution by the curator of the Cyber Arte exhibition, Tey Marianna Nunn. We hope that this action will not set a pattern of compromise where the desire to avoid conflict trumps the right of artists to express unpopular ideas and the right of the audience to see challenging work. Who is this man to tell me what to think and relate to her? Additionally, other strong women personages appear, including women who fight. Alma López' webgallery. López's eponymous Our Lady is a reinterpretation of the Holy Virgin of Guadalupe, Mexico's most venerated and probably also most reproduced religious image. Art comes for the Archbishop: The semiotics of contemporary Chicana feminism and the work of Alma Lopez. Alicia Gaspar de Alba and Alma López, eds., Our Lady of Controversy: Alma López's Irreverent Apparition.
Austin: University of Texas Press, 17-42. 0292719922 (cloth: alk. A permanent source of inspiration for López, several iterations of the Virgin have followed, including one titled "Lupe & Sirena in Love, " which shows the Blessed Mother groping the mermaid found in the Lotería games' breast. In 2001, Chicana artist Alma López, curator Tey Mariana Nunn, and Santa Fe's Museum of International Folk Art (MOIFA) unexpectedly found themselves at the center of a heated controversy. Artist Says", The Santa Fe New Mexican (March 24) 2001. It's not about knocking La Virgen's image as a mother but about showing alternative identities that illustrate more the lived realities of Chicanas. The contested image and the controversy it garnered are at the heart of the edited collection Our Lady of Controversy: Alma López's Irreverent Apparition, edited by Alicia Gaspar de Alba and Alma López. The threatening emails claimed to be from a Christian group and are currently being investigated as a homophobic hate crime by the San Francisco Human Rights Commission and the Hate Crimes Unit of the San Francisco Police Department, according to La Galería's Jaime Cortez. Montoya, Margaret "Un/braiding Stories About Law, Sexuality and Morality, " UCLA: Chicano-Latino Law Review, Volume 24 Spring 2003. "Like Una Virgen: Chicana Artists Update Our Lady", Ms. Magazine (August-September), 2001. If the majority of machos looked upon women as persons rather than property, perhaps we wouldn't need any "protecting"? The "offending" work, "Our Lady" is a photo-based digital print on exhibition in a museum, and not an object of devotion in a church. Emails, calls, and letters of support have included Catholics, Latinas/os, artists, educators, and various communities throughout the United States.
Start at call number: Central to the collection is the notion of re-visionist art and decolonising colonial images. Centered around the concept of chiasmus, or, the inversion of language in order to expose a second, hidden layer of meaning, Our Lady of Controversy employs both queer themes and methodology. Alma Lopez Los Angeles - April 2, 2001. Yolanda Lopez received bomb threats for her portrayal of the Virgen wearing low-heeled shoes. The written section of the collection closes with an extensive discussion by Alma López of the significance of the Virgin of Guadalupe in her life, the process of her activist art, and the evolution of the Virgin image in both art history and within her own oeuvre. It makes me sad that this has been a divisive issue especially along gender lines, to see brothers and sisters fighting, and to see politicians trying to use this as an excuse to cut funds in art and education. This image is a representation of La Virgen de Guadalupe as a strong and powerful women. Columbia University, 2004. In 2011, ANF organized a protest at the Oakland Museum and incited conservative Catholics in Cork County, Ireland to protest the exhibition of Our Lady at the University College Cork. "Artist Lopez Speaks on Virgin Controversy", The Santa Fe New Mexican (March 27, ) 2001. Several months before its scheduled closing in February? This is only the trailer, but you get the full 46 minute long documentary video free when you purchase a copy of Our Lady of Controversy: Alma Lopez's "Irreverent" Apparition, edited by Alicia Gaspar de Alba and Alma Lopez published by University of Texas Press, 2011.
Figure female — full length. Of Guadalupe in her own work as a performance artist. Wrote a piece called "Heat Your Own. " Beyond the innovative methodology and structure, the volume accomplishes a number of impressive, interlocking tasks. Become ground zero for this controversy. Background: "Our Lady, " the piece which some members of the Santa Fe Catholic community found offensive, is a digital photograph representing the Virgin of Guadalupe.
She's on tattoos, stickers, posters, air freshener cans, shirts and corner store murals, as well as church walls. Gary Johnson has also spoken in defense of free expression: "For those that are opposed to the painting, I respect their views on it. For our press release, click here. The mural, done in a traditional Mexican "retablo" style, albeit digitally, showed a woman on her death bed imagining herself and her female lover sitting together holding hands on the moon, representing Lopez's view that heaven is about love. In 2001, Alma López's digital collage, Our Lady appeared in an exhibition at the Museum of International Folk Art in Santa Fe, New Mexico. Devil in a Rose Bikini: The Second Coming of Our Lady in Santa Fe (Alicia Gaspar de Alba). You can download the paper by clicking the button above. The cult of the Virgen de Guadalupe dates back to the 1531 apparition of a young woman to an indigenous peasant near what is now Mexico City. When I see "Our Lady" as well as the works portraying the Virgen by many Chicana artists, I see an alternative voice expressing the multiplicities of our lived realities. The print itself spent a decade in storage, then was exhibited at the Oakland Museum of California in 2011. I wonder why they think that our bodies are so ugly and perverted that they cannot be seen in an art piece in a museum? One of the key issues that the collection successfully addresses is the notion of ownership in relation to the Virgin. Does the church have the right to stop artists from using this image?
It's Not about the Virgins in My Life, It's about the Life in My Virgins (Cristina Serna). "I'm a very spiritual person. I closely read California Fashions Slaves as a challenge to such discourses because the print denaturalizes motherhood and domestic labor, emphasizing the domestic as a social and cultural construct, while also underscoring women's creative resistance and agency. The focus of my paper is Alma López who draws from indigenous traditions and archetypes in order to rewrite them from a feminist perspective and provide Latinas with alternative paradigms for the construction of the 21st century identities. By deploying critical race psychoanalysis and semiotics, we can unpack the libidinal investments in the brown female body, as seen in both in popular investments in protecting the Catholic version of the Virgin of Guadalupe and Chicana feminist reinterpretations. This is the most serious consideration of the oeuvre of Alma López published to date. The Virgin retains a confident stance, hands on hips and looking forward, rather than presenting the downturned face found in traditional iconographies of Guadalupe. "Our Lady" Only Latest in String of Art Controversies', The Santa Fe New Mexican (April 1) 2001. "Heaven 2, " displayed outside La Galería de la Raza on 24th Street from November 2000 to January 2001 as part of their ongoing "Digital Mural" project, was defaced by graffiti and generated homophobic threats to La Galería staff and a gunshot through their window.
Book Description Soft Cover. Book Description Condition: New. "About this title" may belong to another edition of this title. Lee, Morgan 'Heritage Stirred Into Debate Over "Our Lady"', Albuquerque Journal (April 16) 2001: A1.
Essays by Clara Román-Odio, Emma Pérez, Cristina Serna, Catrióna Rueda Esquibel and Alicia Gaspar de Alba strike an exemplary balance between close critical readings of the art in question and feminist politics and theory. I know that not everyone likes my work, but no one person has the right to remove it and therefore prevent others from seeing it. Even if I look really hard at my work and the works of many Chicanas artists, I don't see what is so offensive. MALCSCrossing the Border with "La Adelita": Lucha-Adelucha as "Nepantlera" in Delilah Montoya's "Codex Delilah. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition. Ewelina Bańka, Zofia Kolbuszewska.
Kusel, D. "Virgen is About Divisions, Not Art", The Santa Fe New Mexican (April 22) 2001.
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