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To aspire against identity and definition through flamboyant free-spiritedness is to resist norms, yes, but it also serves to define all the more precisely the artist Torey Thornton. Sturtevant is totally insane, the narrow, pure remainder of content generated by this self-obliteration-as-practice is still incredibly difficult to grapple with, and these works are sill far beyond any kind of popular comprehension. A refreshingly scrappy tech art show that feels like it's actually investigating technological systems instead of just using technology and calling it an investigation. A miscellany from back in the days when painting still felt unsettled and full of possibility, which is to say its deeply inconsistent. Piece of artistic handiwork crossword clue puzzle. Chantal Akerman, Harold Ancart, Jef Geys, Dan Graham, Bodys Isek Kingelez, Robert Lebeck, An-My Lê, Otobong Nkanga, Marina Pinsky, Claudia Peña Salinas, Adam Simon, Momoyo Torimitsu, Hil Yeh - Hearts and Minds - Carriage Trade - ****. Chuck Nanney & Joel Otterson - Martos Gallery - ***. A rare compliment from me: the press release is a fun piece of writing, even if it is overbearingly European. The frames were chosen independently by a framing company as a method of implicating the framers' in the "crime, " and the video recordings are intended as "evidence" of the viewer's own complicity.
Fun, although I wouldn't say I was excited by it. Victor Pasmore - Prints - Marlborough - **. Dumb and funny but not transcendently so. Try To Earn Two Thumbs Up On This Film And Movie Terms QuizSTART THE QUIZ. He's not even selling out, he's not trying to appeal to the market. I have no idea if this is intended as a joke or not, but either way I don't think it's funny.
It's strange, this presentationist deadpan carries with it shades of Christopher Williams-type late conceptualism, which makes me want to like it, but it just feels like self-conscious White appropriation towards an end that I don't quite grasp. It's boring and half-baked, but unlike his last Sperone show it's so lazy that I kind of respect it. Those are forbiddingly chaotic, tending towards memories of the murky colors you get from mixing all your fingerpaints together, but I get it, that's when abstraction itself had a major anxiety of influence and direction, you couldn't just do Joan Mitchell anymore. This overtness still reads to me as just proto-new agey, and although art can be transcendent I don't think being explicit about depictions of spiritual transcendence is the best means of achieving it. But I think that's mostly an age thing. Stanley Lewis - Paintings and Works on Paper - Betty Cuningham - ****. Piece of artistic handiwork crossword clue answers. Maybe I just think presenting a vitrine with nothing in it as if it's a meaningful gesture is pretentious. That crit, though, is beyond the pale. Slave > Salve in particular is the kind of pun that pops into your head when you're watching something not particularly good at 11:30 on a Wednesday night.
Visit the Career Advice Hub to see tips on accelerating your career. Scuttlebutt: DIRT - What candidates are uncovering on their opponents these days. Very tactile and materialist in the FPBJPC style, which is to say there's a lot of spray paint in the show. I like the red one on the back wall, the rest is anodyne.
With a mentor like Duchamp to explain the secrets of art to him, he could pursue his work without the usual anxieties of the artist: of history, of subject, of material, of concept, etc., anxieties fundamental to Duchamp's own work. She could have been a notable artist if she'd just figured out a nicer shape. Sex, dicks, drugs, sewage, graffiti, poison, basically anything you can cram into an ironic, knowing shitheaded attitude, but who said that's a bad thing? Sadly, I think the iteration at work here skews into the crassly commercial, I can't process this series as anything more than a range of products for sale, like a dozen dresses on a rack at Macy's in different colors. Protip: It's not 1959, and you're not Jasper Johns. Piece of artistic handiwork crossword clue. It's mostly irksome as a textbook example of the difference between learning lessons from an artist's work and simply stealing it. Otherwise everything else is kind of light and flighty, bodily or symbolic or ritualistic, etc., but what they are not is painterly.
Jerry Hunt - Transmissions from the Pleroma - Blank Forms - ***. Aside from the 4 videos (which are more atmospheric than watchable) and Pope L. 's new dust machine (which I like a lot for working both as an overbearing annoyance from the outside and something that justifies all the commotion when you look inside), it's pretty much just ephemeral drawings. Jules Gimbrone, Tiffany Jaeyeon Shin, Jennifer Sirey - I Contain Multitudes - Klaus Von Nichtssagend - *. Trevor Shimizu - Landscapes - 47 Canal - *****. Draped fabric as painting is something of a '70s female artist cliche, and at this point I've seen and failed to comprehend it so many times that I'm starting to wonder if I'm literally prohibited from understanding it because of my gender. Anyway, I wonder if that McCracken has always had polishing scratches on it? Pretty, boring, pretty boring. In person the application is less polished than I realized, which helps, and I like the colors and his sense for layering. Is both clear and sufficiently oblique to not smother the content, taking inspiration from rather than simply copying, and the treatment is consistently proficient across the range. I love a the noise music.
The smaller panel works in the back feel like exercises, and I'm sure they are. None of the other work in the show is self-evidently related to identity, except that I think the artists are queer, which underscores the curator's sense of entitlement to the rhetoric of the radical subversion of identity based, ironically, on the identities of the artists. That said, explaining the titles of your works is shooting yourself in the foot because it just demystifies the mystification that is supposed to be set up by giving oblique names to the works in the first place, and as I mentioned with the Bureau show, musical references never seem to work with art. Penske rent Synonyms for Create produce To cause to occur or exist; give rise to: 43 18 make (Second object is a verb, can be stressed for emphasis or clarity) To force to do. Carriage Trade - *****. There seems to be some sort of thematic of the studio as Frankenstein's laboratory where the body, or more specifically the flesh, is treated as a material substance to be operated upon in an almost alchemical way, but with too much of a surgical sense to flirt with risking any hippie spirituality. True act of initiating a new idea or theory or writing. I think this is supposed to be funny, but the joke feels forced, or maybe out of date.
Decent procedural abstraction with a solid sense of how formal systems can be generative, but I prefer Terry Atkinson. Mario Ayla - Truck Stop - Jeffrey Deitch - *. The Manhattan Art Review's Best & Worst Art Shows of 2021. Zzzzzzzzzz...... Sure, the Polke and the Twombly hold up no matter the context and the Jimmie Durham (a jacket sandwiched between two pieces of granite) is funny, but the rest is shockingly dull considering the pedigree of the artists on display. Yugoslavia is no less an irrelevant affectation than elven grottoes and winged lions, because costumes never constitute substance; world-building always reproduces the banality of the real world that it tries to avoid. Likely related crossword puzzle clues. It isn't uniformly great but there's enough great work and the curation is attentive enough that there's no question of it feeling half-assed. On differently colored paper from the left and right, which always match. The morecorns, unicorns with more horns, don't recall the rippling, incredible phallic intensity of Great White Fear and instead turn to a more quotidian set of references: birthday cakes, electrical plugs to go with the power socket painting at the gallery's entrance, maybe a police baton or a leg at most.
I'm predisposed in favor of this show because Josef is well-liked in my social world and I'm in the middle of reading Ulysses. There's a Balthusian shameless extremity to it, a precision of the explicit that still manages to feel transgressive in the present day against all odds, like The Guitar Lesson. Sure it's a near-automatic summer group show, but it's hard to complain in this company. A little more dynamic than the Berenice Abbott Greenwich Village show, but no less literal. Another show that was apparently constructed since the new year; I can imagine the argument that it's some sort of modular site-specific conceit, but if it's intended as a critique it's in precisely the opposite direction of what the arts needs. Or maybe I don't like them because she kind of looks like someone I dated briefly in college. As a professional athlete he's had the power of positive thinking tattooed on his brain and his taste of art is whatever his advisor tells him to buy, thus the show. Laurie Anderson, Robert Barry, Dan Graham, Joseph Kosuth, Gordon Matta-Clark, Dennis Oppenheim, Martha Rosler, Allen Ruppersberg, Alexis Smith, William Wegman - Conceptual Photography - Marlborough - ****.
I don't care how avant your NFTs are, you can never live this down because this kind of idiotic trading card shit is baked into its foundations. Landscape/microscopic organics, slightly more aware of art history but fundamentally not too different in spirit from undergrad work at a liberal arts school not known for its arts program, or the kind of stuff you see in galleries in vacation towns. Red-bearded god: THOR. I can't say I wasn't disappointed, but since that seems to be the point I can't help but respect it.
Churchman is an "idea painter" inasmuch that the contrast of subject from painting to painting is supposed to enlarge the conceptual space of the paintings as a whole, but the range here is pretty tepid for such an approach. Some fear the climate emergency, the message tican at COP26: Hearts, habits must change fast to care for creation. Thank god, Jenny's back in town which means I have a new addition to my very short list of the galleries I trust. Cheyney Thompson - Intervals and Displacements - Andrew Kreps - **. The text and image pairings work well, which is pretty rare coming from me given my general distaste for poetics.
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