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David Cronenberg is the master of body horror, and in this 1977 film, he focuses on a woman who develops a strange growth under her arm after a surgery that she uses to feed on human blood. Those who are infected become violent and sex-crazed, passing along the parasite like an STD. When the base is overrun, though, a group of survivors are flung out into the landscape and their survival will dictate who inherits the Earth. Trench 11 is set during the last days of WWI, and is centered on a group of allied soldiers who are sent to investigate a secret German bunker that, they will discover, houses a grotesque secret that could turn the tide of the war. Like the protagonist at the start of 28 days lateral. Chris Pine, Piper Perabo, and Emily VanCamp star in this movie about a group of friends trying to outrun a pandemic who realize on their journey that the evils of man are just as threatening as any virus. Virus is a Japanese movie that goes where more contagion movies should: Antarctica. In many Hollywood disaster films, the crowd is portrayed as potential victims who have no role to play except to await rescue or annihilation, or as panic-prone dimwits incapable of handling difficult truths.
At the same time, he meets a woman (Samara Weaving) who was just screwed over by his company, and together they agree to kill their way to the top. It's a roaring, rock-and-roll zombie movie that gets even weirder when the sister falls into the hands of a twisted scientist who loves dancing to disco music. The rest of the planet perishes. It is telling that such power only features as a diseased and destructive force in our films. Like the protagonist at the start of 28 days laser eye. However, a looming Soviet incursion of the base and the threat of a nuclear missile launch make survival even more tricky than it already is while living at the frozen bottom of the world. I can understand why Boyle avoided having everyone dead at the end, but I wish he'd had the nerve that John Sayles showed in "Limbo" with his open ending. While some viewers are coping by watching escapist fantasies and absurdist reality TV, others are turning to a more dystopian alternative: movies about pandemics. In the final scene of 28 Days Later, a 2002 movie about a virus that transforms people into rage-filled monsters, a fighter jet scrambles over the English countryside.
Jim is the everyman, a bicycle messenger whose nearly fatal traffic accident probably saves his life. The movie audience is itself a crowd — one that is not supposed to speak, but only listen. These protests offered a decayed reflection early days of the #Resistance, where highly-memed placards like "If Hillary Was President, We'd All Be at Brunch" rendered invisible the lives and work of the immigrant farmworkers, line cooks, waitstaff and dishwashers who would be preparing that brunch and mopping up afterwards. Available on Hulu, Amazon Prime, and Vudu. Like the protagonist at the start of 28 days late night. The story focuses on a group of survivors who make their way to a mall together, and it's one of the best movies ever made about the deleterious effects of an unstoppable pandemic in its early stages. For any hope of recovery, we cannot cede the public square, but rather we must reclaim it — courageously and with care for one another. It's insane and funny and completely inappropriate, and it's got a very satisfying amount of Cage Rage to entertain you. It's a disturbing, complicated look at passion, loyalty, and deception in the heart of a horrific epidemic.
Their vision is lacking; they do not see us waving and unfurling our banners on the lawn. Maj. Henry West (Christopher Eccleston) invites them to join his men at one of those creepy movie dinners where the hosts are so genial that the guests get suspicious. The plot exudes a distinctly Musk-y odor: the masses are saved by a small group of technocrats who drill down into the core and reboot it with nuclear bombs. This impressively atmospheric medieval actioner has novice monk Eddie Redmayne leading grizzled mercenary knight Sean Bean and a group of others to a village untouched by the Plague, presumably because of the presence of a witch, played by Carice van Houten. So you won't care as much. " Arnold Schwarzenegger plays a man whose daughter (Abigail Breslin) is bit, and he decides to care for her at home over the weeks it will take her to turn full undead cannibal. The shouts of "Give me liberty or give me death! "
And watching the city's officials and medical professionals work together, doing all they can to vaccinate 8 million people … it all feels like a sick joke in today's reality. World War Z. Brad Pitt and Mireille Enos star in this epic contagion movie that features maybe the largest mass of sprinting zombies ever put on screen. Larger crowds are made of computer-generated images, people who never even existed in the first place. Since London seems empty at the beginning, presumably the zombies we see were survivors until fairly recently. These zombies are capitalism's worst nightmare: an unruly and destructive crowd whose ascendancy breaks down the existing order that produced them. My imagination is just diabolical enough that when that jet fighter appears toward the end, I wish it had appeared, circled back--and opened fire. But the two of them will have to travel through a dangerous no-man's-land to get there, and that means dealing with all the threats along the way. And infected with a deadly pathogen. As the floodwaters rise, a crowd begs for passage, but those on board pull up the ladders. This French-Canadian zombie movie is another artful zom-drama entry that really emphasizes the emotional toll of survival, and even includes a large, mysterious tower made of chairs that draws the zombies to it. Zombie movies are always so bleak (which is fair), but Bodies imagines, "What if they could still feel? " The Masque of the Red Death. The ending is disappointing--an action shoot-out, with characters chasing one another through the headquarters of a rogue Army unit--but for most of the way, it's a great ride.
They have brains and can think, and they perform work that enables life and on which our world depends: caring for the elderly, stocking grocery store shelves, delivering packages, cleaning hospitals, driving busses, and more. Marx once observed that the tradition of dead generations weighs like a nightmare on the brains of the living — and in many zombie movies, they gnaw on those brains, too. The planet is accelerating towards its "expiration date" — a geological and climate crisis that only a small circle of high-ranking political, economic, and military figures know is coming. The government is considering killing them all anyway to stave off a new wave of the disease, but infected rights advocates are pushing back. Resident Evil Franchise. Transport the witch responsible (Claire Foy) to stand trial. In Train to Busan (2016) and 28 Days Later (2002), however, such "zombies" are not reanimated corpses; rather, they are human beings morphed into monstrous creatures by an infection. Available on iTunes. You could watch a lot of "of the Dead" movies, but we recommend Romero's sequel to his formative zombie classic. Scrambling to maintain their own race and class position, they planned to shove service workers towards the infection, below the flood, into the fire. Much of the film is shot in night vision, helping you to feel even more immersed in the horrors leaping from the shadows. Indeed, hundreds of thousands of people have already died from COVID-19, and many more surely will — especially those who are forced back to work amidst the pandemic. Our slogans are not truly meant for them, for they cannot rescue us from the reality that they created.
It's sometimes easy to forget that this classic melodrama, starring a tremendous Bette Davis as a headstrong woman in antebellum New Orleans and a brooding Henry Fonda as her straight-arrow paramour, actually becomes a story about a yellow-fever epidemic. The reassertion — via mass mobilization — that their lives held intrinsic meaning is cast as a monstrous and violent act, regardless of whether any windows are broken. Available on Tubi and Vudu. In that spirit, Vulture has assembled a list of contagion movies you can watch to either ease your worries or willfully exacerbate them, broken down by category for ease of use: Classic Contagion. Widespread suffering and death are inevitable, irrelevant, and maybe even the point. So get ready to sing, but also to cry. They must look out for one another in a double-sense: caring for those close to them and guarding against others who are not. To save his home, Faust makes a bargain with Mephisto, whose goal is dominion over the earth. As mainstream punditry's false equivalencies remind us, populism is dangerous. This list has been periodically updated to include new titles. A mysterious illness prompted every woman in the world to miscarry in the early 2000s, and for nearly 20 years since that event — which happened around the same time as a highly deadly flu pandemic — no new children have been born. Melting into a boiling San Francisco Bay.
The flu becomes a metaphor for the loss of innocence and the indifference of fate.